Audiences were wowed at the Joburg Theatre, downtown Johannesburg as a truly
spectacular “rose window’ – made up of 89 x Robe LED moving lights – was revealed
for the first time during the new South African production of “Sister Act’.

Production Designer Declan Randall united all visual elements – lighting, video and
set – in a beautifully colourful collage of finesse and visual imagineering to match
the pace and vibrancy of the show. With a cast featuring some of the best South
African musical theatre talent, directed by Award winning Janice Honeyman and
produced by Bernard Jay, it received rave reviews and sold-out audiences.

Randall – a South African now living in the UK – began working on ideas seven
months before the show opened, back in December 2014, and immediately knew
that he needed a rose window of light. So that was the starting point for the

The structure came in at the end of Act 1, and for the top and end of Act 2 and was
made out of a series of concentric aluminium rings designed in sections to make
rigging practical.

Randall started with a single LEDWash 1200 in the centre and then incorporated 24
x LEDWash 600s, 16 x LEDWash 800s and 48 x LEDBeam 100s to make up the
magnificent centrepiece.

The LEDWash 800s were pulled from the theatre’s own in house rig, the LEDBeam
100s were supplied by MJ Event Gear (facilitated by DWR Distribution), and theatre
lighting specialists Gearhouse Splitbeam supplied everything else.

All the fixtures were run in wide mode giving individual ring control for extra
dynamics, and the whole piece consumed 7 DMX data universes for control.

Once Randall had established the concept in his head, other scenic and architectural
elements of the set, like the arches – four large sets of flying portals – to frame the
rose window, started to emerge.

He also utilised the theatre’s 18 x Robe MMX Spots in his design and their 18 x
ColorWash 700s in his overhead rig, together with a selection of 1K and 2K profiles,
fresnels, a load of PARs, 96Kw of cyc lighting, fairy lights, some additional moving
lights, 7 x Patten 23s for the retro nightclub rig, plus a host of practicals.

The MMX Spots produced most of the overhead gobo work and specials, and are
among his favourite fixtures.

In terms of an overall look for Sister Act, Randall wanted it to feel cinematic. The
show is based on the hit movie starring Whoopi Goldberg and Maggie Smith, and
although, naturally, lit in a completely different style, Randall wanted to evoke the
same sense of “suspended disbelief’ as good film lighting would also do.

The show featured both front and rear projection and much of the meticulous scenic
detail was created with content stored and replayed via a Catalyst media server.

The show was programmed and run on a grandMA2 full size, which also triggered
the Catalyst.

Randall worked alongside Assistant Designer Joe Lott, one of his second year
Creative Lighting Control students from Rose Bruford College in Kent where he is
also a part-time tutor.

Lott took care of the AV programming, editing and content creation. They spent a
month on site during the tech period, and before then heavily WYSIWYG’d the rose
window and were also able to complete a good amount of previsualisation. Another
Rose Bruford student, Andrew Bruce, assisted with the WYSIWYG programming.

“The production design by Declan Randall is sumptuous, magnificent … The scene
changes are as razor sharp and effective as film editing… Sister Act is better than
the movie could ever be. It dazzles with its finely timed choreography and sweeps
you off your feet with its dazzling ensemble acting and spirited, enthusiastic
dancing. It will blow your mind right out of the winter chills” effused Leon van
Nierop, from